[et_pb_section bb_built=”1″ admin_label=”Section” fullwidth=”off” specialty=”off” transparent_background=”off” allow_player_pause=”off” inner_shadow=”off” parallax=”on” parallax_method=”on” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” make_equal=”off” use_custom_gutter=”off” background_image=”https:\/\/mc2-productions.net\/site\/femmesduchaosvenezuelien\/wp-content\/uploads\/2017\/05\/Techo-2.png” custom_padding_last_edited=”off|” custom_padding=”-100px||-100px|”][et_pb_row admin_label=”Row” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” use_custom_gutter=”off” allow_player_pause=”off” parallax=”off” parallax_method=”on” make_equal=”off” parallax_1=”off” parallax_method_1=”off”][et_pb_column type=”4_4″][et_pb_text admin_label=”Text” background_layout=”dark” text_orientation=”right” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n
<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”Row” allow_player_pause=”off” parallax=”off” parallax_method=”on” parallax_1=”off” parallax_method_1=”off” parallax_2=”off” parallax_method_2=”off” parallax_3=”off” parallax_method_3=”off” parallax_4=”off” parallax_method_4=”off” make_fullwidth=”on” use_custom_width=”off” width_unit=”on” use_custom_gutter=”off” make_equal=”off”][et_pb_column type=”1_3″][et_pb_blurb admin_label=”Blurb” title=”Production” url_new_window=”off” use_icon=”on” icon_color=”#ffffff” use_circle=”off” circle_color=”#ffffff” use_circle_border=”off” circle_border_color=”#ffffff” icon_placement=”left” use_icon_font_size=”on” background_layout=”dark” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid” animation=”top” font_icon=”%%49%%” body_font_size=”15″]<\/p>\n
France<\/p>\n
[\/et_pb_blurb][et_pb_blurb admin_label=”Blurb” title=”Dur\u00e9e” url_new_window=”off” use_icon=”on” icon_color=”#ffffff” use_circle=”off” circle_color=”#ffffff” use_circle_border=”off” circle_border_color=”#ffffff” icon_placement=”left” use_icon_font_size=”on” background_layout=”dark” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid” animation=”top” font_icon=”%%49%%” body_font_size=”15″]<\/p>\n
83″ et 56″<\/p>\n
[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″][et_pb_blurb admin_label=”Blurb” title=”Version” url_new_window=”off” use_icon=”on” icon_color=”#ffffff” use_circle=”off” circle_color=”#ffffff” use_circle_border=”off” circle_border_color=”#ffffff” icon_placement=”left” use_icon_font_size=”on” background_layout=”dark” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid” animation=”top” font_icon=”%%49%%” body_font_size=”15″]<\/p>\n
Espagnol et Fran\u00e7ais<\/p>\n
[\/et_pb_blurb][et_pb_blurb admin_label=”Blurb” title=”Sous-titres” url_new_window=”off” use_icon=”on” icon_color=”#ffffff” use_circle=”off” circle_color=”#ffffff” use_circle_border=”off” circle_border_color=”#ffffff” icon_placement=”left” use_icon_font_size=”on” background_layout=”dark” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid” animation=”top” font_icon=”%%49%%” body_font_size=”15″]<\/p>\n
Anglais \/ Fran\u00e7ais<\/p>\n
[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″][et_pb_blurb admin_label=”Blurb” title=”Genre” url_new_window=”off” use_icon=”on” icon_color=”#ffffff” use_circle=”off” circle_color=”#ffffff” use_circle_border=”off” circle_border_color=”#ffffff” icon_placement=”left” use_icon_font_size=”on” background_layout=”dark” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid” animation=”top” font_icon=”%%49%%” body_font_size=”15″]<\/p>\n
Documentaire<\/p>\n
[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section bb_built=”1″ admin_label=”section” transparent_background=”on” allow_player_pause=”off” inner_shadow=”off” parallax=”on” parallax_method=”on” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” make_equal=”off” use_custom_gutter=”off” background_color=”rgba(255,255,255,0.14)”][et_pb_row admin_label=”Row” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” use_custom_gutter=”off” allow_player_pause=”off” parallax=”off” parallax_method=”on” make_equal=”off” parallax_1=”off” parallax_method_1=”off” parallax_2=”off” parallax_method_2=”off”][et_pb_column type=”1_2″][et_pb_image admin_label=”Image” src=”https:\/\/mc2-productions.net\/site\/femmesduchaosvenezuelien\/wp-content\/uploads\/2017\/05\/Kim-4.png” animation=”off” show_in_lightbox=”off” url_new_window=”off” use_overlay=”off” sticky=”on” align=”left” force_fullwidth=”off” always_center_on_mobile=”on” use_border_color=”off” border_color=”#ffffff” border_style=”solid” \/][et_pb_toggle admin_label=”Toggle” title=”KIM” open=”off” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n
Infirmi\u00e8re<\/p>\n
Kim est une infirmi\u00e8re de 34 ans, m\u00e8re de 2 enfants. Une fois qu\u2019elle se trouve dans l’enceinte de l’h\u00f4pital, on ressent toute son impuissance devant la d\u00e9tresse des patients, livr\u00e9s \u00e0 eux-m\u00eames. Les soins basiques sont devenus un luxe, aujourd’hui inaccessibles pour l’ultra majorit\u00e9 des citoyens. Cette situation touche aujourd’hui 90% de la population. Ici, les malades sont oblig\u00e9es d’apporter eux-m\u00eames leur mat\u00e9riel et leurs m\u00e9dicaments, pour pouvoir \u00eatre trait\u00e9s et hospitalis\u00e9s. Elle et sa famille sont sur le point de quitter le Venezuela car qu’ils contraints de partir, n’ayant d\u00e9sormais plus le choix.<\/span><\/p>\n Kim is a 34 year old nurse, mother of 2 children. \u00a0Once inside hospital, we witness her impotence towards the distress of her patients, left basically to care for themselves due to the scarcity of medicines. \u00a0Basic care is now a luxury, inaccessible for the overwhelming majority, affecting over 90% of the population. \u00a0The patients are obliged to bring their own supplies needed to seek treatment or to be hospitalized. Desperate and worried for her family, she has forcely decided to leave Venezuela as soon as possible.<\/b><\/p>\n [\/et_pb_toggle][et_pb_image admin_label=”Image” src=”https:\/\/mc2-productions.net\/site\/femmesduchaosvenezuelien\/wp-content\/uploads\/2017\/04\/Eva-4.png” animation=”off” show_in_lightbox=”off” url_new_window=”off” use_overlay=”off” sticky=”on” align=”center” force_fullwidth=”off” always_center_on_mobile=”on” use_border_color=”off” border_color=”#ffffff” border_style=”solid” \/][et_pb_toggle admin_label=”Toggle” title=”EVA” open=”off” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n Sans-Emploi<\/p>\n Eva est une toute jeune femme de 22 ans, d\u00e9j\u00e0 m\u00e8re d’un petit enfant. Elle vit avec sa m\u00e8re, sa cousine et son fils dans le plus grand bidonville d\u2019Am\u00e9rique du Sud, Petare. Pour ces femmes \u00a0leur seul instinct pour le moment est la qu\u00eate de nourriture. Car Eva est contrainte chaque semaine, comme une bonne majorit\u00e9 de v\u00e9n\u00e9zu\u00e9liens, \u00e0 faire la queue pendant 24h. Elle est oblig\u00e9e \u00a0de passer la nuit dehors, dormir sur un bout de carton, pour attendre devant l’entr\u00e9e du supermarch\u00e9, afin d’apporter le minimum des produits basiques pour l\u2019alimentation et l\u2019hygi\u00e8ne. En effet, une seule journ\u00e9e est permise dans la semaine pour la r\u00e9serve de nourriture, d\u00e9sign\u00e9e en fonction du num\u00e9ro de la carte d’identit\u00e9. Eva a aussi le projet de quitter le Venezuela. <\/span><\/p>\n Eva is only 22 and already has a 3 year old boy. \u00a0She lives with her mother, her cousin and her son in Petare, one of the largest slum in South America. \u00a0Their only current instinct is to find enough food for the house. \u00a0Eva is forced weekly to queue for 24 hours, like a majority of Venezuelans. She is obliged to spend the night out, sleeping on a piece of cardboard, waiting for the supermarket to open the next day. \u00a0This is the only way she can afford the minimum basic goods, restricted by the imposed State limitation to buy certain products one day per week, according to your national ID number. \u00a0She is also planning to leave the country soon.<\/b><\/p>\n [\/et_pb_toggle][et_pb_image admin_label=”Image” src=”https:\/\/mc2-productions.net\/site\/femmesduchaosvenezuelien\/wp-content\/uploads\/2017\/05\/olga-5-e1495541264819.png” animation=”off” show_in_lightbox=”off” url_new_window=”off” use_overlay=”off” sticky=”on” align=”center” force_fullwidth=”off” always_center_on_mobile=”on” use_border_color=”off” border_color=”#ffffff” border_style=”solid” \/][et_pb_toggle admin_label=”Toggle” title=”OLGA” open=”off” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n Serveuse <\/span><\/p>\n Olga a 44 ans, m\u00e8re de trois enfants. Le cas de cette femme a fait couler de l\u2019encre aux \u00a0faits divers au Venezuela, suite \u00e0 l’assassinat brutal de son fils de 16 ans, pris \u00e0 tort pour un d\u00e9linquant par la police lors d’une op\u00e9ration commando brutale \u00e0 son domicile. Olga a \u00e9t\u00e9 t\u00e9moin de la situation, elle a vu son enfant se faire descendre sous ses yeux, et elle est anim\u00e9e depuis par une vengeance visc\u00e9rale, une soif de justice qui la ronge de l’int\u00e9rieur. Son drame plonge Olga dans une sorte d’obsession, que tant que cette injustice perdurera, elle ne trouvera jamais la paix.<\/span><\/p>\n Olga is 44 years old mother of three. \u00a0Her life story is known by many, as it made national headlines. Her 16 year old son was shot dead by the police, mistaken for a known crime lord during a brutal commando operation at her home. Olga witnessed the murder, she saw her child die before her eyes. \u00a0Since then, she seeks vengeance while her thirst for justice slowly eats her away. \u00a0Her inner peace will only be reached once justice is found.<\/b><\/p>\n [\/et_pb_toggle][\/et_pb_column][et_pb_column type=”1_2″][et_pb_image admin_label=”Image” src=”https:\/\/mc2-productions.net\/site\/femmesduchaosvenezuelien\/wp-content\/uploads\/2017\/05\/Maria-Jose-4.png” animation=”off” show_in_lightbox=”off” url_new_window=”off” use_overlay=”off” sticky=”on” align=”center” force_fullwidth=”off” always_center_on_mobile=”on” use_border_color=”off” border_color=”#ffffff” border_style=”solid” \/][et_pb_toggle admin_label=”Toggle” title=”MAR\u00cdA JOS\u00c9 ” open=”off” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n Community Manager <\/span><\/p>\n Mar\u00eda Jos\u00e9 est une jeune femme de 28 ans, m\u00e8re d\u2019un gar\u00e7on.. Lors du tournage, elle \u00e9tait enceinte de son deuxi\u00e8me enfant.Elle appartient \u00e0 la classe professionnelle et vit habituellement dans une situation plut\u00f4t ais\u00e9e, dans un quartier s\u00e9curis\u00e9. Mais la crise l\u2019affecte comme m\u00eame, car Maria Jos\u00e9 doit vivre avec uniquement 2 heures d’eau par jour. Ce rationnement l’oblige \u00e0 anticiper, \u00e0 \u00e9conomiser au maximum pour pouvoir survivre avec sa famille. Pour son \u00a0b\u00e9b\u00e9, elle stocke \u00e9galement la quantit\u00e9 de couches pour une ann\u00e9e, tellement ces articles manquent dans le march\u00e9. \u00a0Mais malgr\u00e9 tout, elle essaye de garder un optimisme, et de donner une image positive \u00e0 son enfant, en l’\u00e9duquant sans lui faire ressentir ces carences..<\/span><\/p>\n Mar\u00eda Jos\u00e9 is a 28 year old woman. \u00a0She is pregnant, soon to be a mother of a second boy. \u00a0She belongs to the middle income class and usually lives in a rather affluent situation, in a secure neighborhood of Caracas. \u00a0But the crisis has also reached her life in many ways. \u00a0Nationwide water rationing obliges her to live with only 2 hours of running water per day. \u00a0Everything in her life must be planned ahead. \u00a0Diapers are for her unborn are also scare. \u00a0She has been storing the amount needed for his first year. \u00a0Despite all, she is optimistic. Specially for her kid, as she continues trying her best for him not to feel these shortcomings<\/b><\/p>\n [\/et_pb_toggle][et_pb_image admin_label=”Image” src=”https:\/\/mc2-productions.net\/site\/femmesduchaosvenezuelien\/wp-content\/uploads\/2017\/04\/Luisa-5.png” animation=”off” show_in_lightbox=”off” url_new_window=”off” use_overlay=”off” sticky=”on” align=”center” force_fullwidth=”off” always_center_on_mobile=”on” use_border_color=”off” border_color=”#ffffff” border_style=”solid” \/][et_pb_toggle admin_label=”Toggle” title=”LUISA” open=”off” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n Commissaire de police \u00e0 la retraite<\/span><\/p>\n Luisa est une grand-m\u00e8re de 76 ans, r\u00e9sidant dans un quartier populaire. Tr\u00e8s religieuse, elle vit avec son mari, retrait\u00e9 comme elle. Anciens policiers tous les deux, ils doivent faire face aujourd’hui \u00e0 une injustice terrible, l’emprisonnement de leur petit-fils d\u00e9put\u00e9, non jug\u00e9 depuis 2 ans et demi maintenant, accus\u00e9 de fa\u00e7on inique d’avoir financ\u00e9 une manifestation en faveur de l’opposition en 2014. N’ayant aucun pouvoir pour amorcer une proc\u00e9dure, ils ont simplement l’autorisation de lui rendre visite en prison deux fois par semaine. C’est une femme qui se retrouve face \u00e0 une justice bafou\u00e9e, devenue corrompue. D\u00e9sormais, elle vit avec son mari dans la tristesse et l\u2019espoir de voir leur fils mis en libert\u00e9. Toute leur esp\u00e9rance repose en Dieu. Ils prient. <\/span><\/p>\n Luisa is a 76 year old grandmother living in a working class neighborhood of Caracas. \u00a0<\/b>She lives with her husband. Two retired police officers deeply religious, currently facing a terrible injustice. \u00a0Their grandson was incarcerated two and a half years ago, and still has not seen his first day in trial. \u00a0He is an opposition parliamentarian, accused to have financed anti-government protests in 2014. \u00a0Unable to push a proper judicial process, they are left only with the possibility of visiting him in prison twice a week. \u00a0She is confronted daily with a unfair, corrupted judicial system. \u00a0All of their hope relies on God, so they pray.<\/b><\/p>\n [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" [et_pb_section bb_built=”1″ admin_label=”Section” fullwidth=”off” specialty=”off” transparent_background=”off” allow_player_pause=”off” inner_shadow=”off” parallax=”on” parallax_method=”on” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” make_equal=”off” use_custom_gutter=”off” background_image=”https:\/\/mc2-productions.net\/site\/femmesduchaosvenezuelien\/wp-content\/uploads\/2017\/05\/Techo-2.png” custom_padding_last_edited=”off|” custom_padding=”-100px||-100px|”][et_pb_row admin_label=”Row” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” use_custom_gutter=”off” allow_player_pause=”off” parallax=”off” parallax_method=”on” make_equal=”off” parallax_1=”off” parallax_method_1=”off”][et_pb_column type=”4_4″][et_pb_text admin_label=”Text” background_layout=”dark” text_orientation=”right” use_border_color=”off” border_color=”#ffffff” border_style=”solid”] Film Cinq femmes, de milieux et de g\u00e9n\u00e9rations diff\u00e9rentes, dressent le portrait d’un pays en perdition, d’une crise sans […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","footnotes":""},"class_list":["post-61","page","type-page","status-publish","hentry"],"yoast_head":"\n